“Alias” is a great show. It’s also wildly implausible. Jennifer Gardner stars as Sydney Bristow: grad student by day, spy by night, and double agent in her spare time. She does all this while racking up a million frequent flyer miles a year. It’s not surprising that she’s unlucky in love and often an emotional basket case. But when she’s in the middle of a mission Sydney’s got cool that James Bond can’t match (OK, maybe the Timothy Dalton Bond could keep up).
The ABC network has helped the series considerably with liberal deviation from the accepted hour show format. This began with an uninterrupted showing of the pilot when the series debuted: 66 minutes without commercial or other interruption, a nearly unheard-of occurrence in American TV. The following 21 episodes fit the standard 45 minutes of content for an “hour” show, but many ran for 15 or more minutes before the credits and first commercial break (in sharp contrast to the 2-3 minute convention before first ad break).

The star and special effects crew of “Alias” are constantly pushing the envelope. Jennifer Garner had minimal action show work under her belt when she started on the series. Garner could run and dance, but was keen to learn more. It soon became apparent to the writers and stunt crew that she was adept at memorizing: not just scripts, but also stunt choreography and foreign language phonetics. The foreign languages in “Alias” are much more compelling than the usual cheat of English with some phony foreign accent. Garner has since studied kickboxing and wire stunts, and actually looks forward to jumping off 100′ buildings as a regular part of her job.

“Alias” is in many ways a very flawed show. The flaws do not keep it from being remarkably entertaining. There’s lots of impossible spy gadgetry, but the Bond movies have made us come to expect that. No real spy agency would keep on an agent as prone to emotional collapse as Sydney Bristow, yet both SD-6 and the CIA consider her a valuable asset. The whole prophetic 15th century Milo Rambaldi technology schtick is WAY out there. And many of the effects over-reach. One particularly egregious example is the oft-shown exploding car sequence. The hood pops off and the car pitches up while fire lights it from below/behind. Since you can see through the engine compartment it’s glaringly apparent that this stunt car did not, in fact, actually have an engine in it as it rolled down the road.

“Alias” show honchos have hedged their bets by going with known quantities where possible. Series creator J.J. Abrams worked with star Garner on “Felicity,” and has known Greg Grunberg (a “Felicity” regular) since childhood. Kevin Weisman played a recurring role on “Felicity.” (Amanda Foreman, another “Felicity” regular, shows up in seasons two and three.) Executive producer Ken Olin appears in a small recurring role, and his wife and “thirtysomething” costar Patricia Wettig also plays a recurring character on “Alias.”

“Alias” is written as a continuous story arc and few episodes end without leaving the viewer eager to see what comes next. The first season has plot threads involving Sydney’s graduate school studies, her secret agent work for SD-6, her double agent work for the CIA, clueless best friends Will and Francie, the thaw in her relationship with her distant father, the mysterious Alliance, the prophetic works of Milo Rambaldi, and the growing question of what happened to her mother.